Frank Sheckles - Cory Hibbs
Inis Goodheart/Lindsay - Lindsay Mack
Rosa Gomez - Jen Taher
Dallas Archer - Ray Campbell
Roxy - Sara Gonzalo
Jaylen - Cara Francis
Leah - Jen Kwok
Teddy - Julian Mesri
Chase - Chase Voorhees
Gina - Rachel Radenberg
Dave - David Weinheimer
Queen Cobra/Snake Ensemble - Rachel Lin
Mongoose/Snake Ensemble - Maia Lorian
Sandra/Snake Ensemble - Heather Rogers
Horse/Snake Ensemble - Chris Tyler

Cara Francis (Jaylen) is a writer, director, performer and ensemble-member of the New York Neo-Futurists, writing for and performing in Too Much Light Makes The Baby Go Blind, The Soup Show, un)afraid, and The Complete and Condensed Stage Directions of Eugene O’Neill, Volume One: Early Plays, Lost Plays. Cara has performed and had her work produced at The Old Vic, The Public, HERE, The Flea, The Bushwick Starr, Galapagos Art Space and The Bowery Poetry Club and was a Spring 2009 Short Form Artist in Residency at the Ontological-Hysteric. She has worked with Temporary Distortion, has presented solo work in conjunction with The Human Company and terraNOVA Collective, and has very good secrets.

ETG will be teaching:

THEATRE

Period 2 – 3:00: COLLABORATIVE WRITING
Period 3 – 4:00: IMPROV

to sign up go to: Space on White

ICE FACTORY 2011

present

DEAD PEOPLE
collaboratively created by Everywhere Theatre Group
(Teddy Nicholas, Leah Winkler, Chase Voorhees and Lindsay Mack)

part of the Ice Cubes Studio Series
an Equity Approved Showcase
JULY 14 & 15th – 9PM

@ 3 Legged Dog

purchase tickets here

original text and direction by Teddy Nicholas and Leah Winkler
video and sound direction by Chase Voorhees
choreography by Lindsay Mack
lighting design by Barbara Eldredge
costume design by Sarah Snider

featuring

Brett Hunter
Christopher Andrew Loar*
Lindsay Mack
Jen Taher*

After a busy three years of making original shows, ETG is taking 2011 to  focus on  long-term development for a NEW 2012 project. More exciting info on that soon!

For now, we are seeking performers who are interested in collaborating with us for a long haul. (periodically throughout 2011) Send us a resume and pic at info@everywheretheatre.org. Video clips are a plus.

What We Are Looking For:

-dynamic performers who want to help create a collaborative project.

-drama-free artists who are in it because they want to make something special

-physical actors who like to jump around and do awesome things

-open minded peeps who are into experimenting with text that can be cut at any time (or tweaked to suit you as an individual)

What we aren’t looking for:

-wannabe celebrities

-those looking to get ahead in “the business”  through this show (we have great audiences and occasionally great press, but making art is our first priority and being in this show will not help you book your next commercial)

-mean narcissists  who get jealous easily

Also as usual, ETG is open  for collaboration opps and gigs. Please contact us at info@everywheretheatre.org for inquiries.

Check out yet another great review of The Internet!

<3 ETG

Andy Webster, the reviewer, notes that  “The script, by Leah Winkler, who also directed with Lindsay Mack, effectively skewers the false personas and banal self-descriptions on dating Web sites while underscoring the longing.” You can read the full review here, where he goes into detail about Chase Voorhees awesome sound design and our “android temptress” cast member Tess Frazer Hoffemeir  in her gold bikini!

Love Among Leah Winkler’s Webbies at St. Mark’s Church – NYTimes.com

More big news to come…..hope to see you at th show! Don’t wait to get your tickets! Get them now!

<3 ETG

CAST

Tess Frazer Hofmaier was a drama major at LaGuardia high school of the Performing Arts and at the Proffesional Performing Arts School in Manhattan. She studied dance at Steps and has performed throughout NYC with Ballet Hispanico’s Student Ensemble and with the Looking Glass theatre. Tess is thrilled to be a part of this ingenious production!

T. Ramón Campbell (A): A small town boy from Ossining, NY with roots in Tuskegee, AL and Jarrett, VA, Ramón grew up an active participant of the theatre arts in his community, playing in high school productions of The King and I, Bye Bye Birdie and Gypsy. Furthering his education at SUNY Purchase College in Westchester, NY Ramón earned a BA in Literature/Drama Studies and wrote, produced, directed and performed in his first original work.  In Denver, CO he achieved an MFA in acting, at the National Theatre Conservatory.  As an apprentice with the Denver Center Theatre Company, Ramón had the honor of performing in such classics as The Tempest, Dream, On Monkey Mountain, The Women of Trachis, The Importance of Being Ernest, Bus Stop, Le Misanthrope and Gross Indecency: The Three Trials of Oscar Wilde.  Recently, Ramón played Joe in the SUNY Purchase College Production of Four directed by Teddy Nicolas.  Than at the Ontological Hysterical Theatre he played Luke, in the ETG Original production of A Pale Horse, Death, Hell: Followed With a Lifetime Original Series.  Ramón is honored to have the opportunity to join Everywhere Theatre Group in this project.

Rachel Radenberg is a Brooklyn based artist.  She Graduated from Philadelphia’s University of the Arts.  Love and thanks to ETG.

Phillip Gulley is an interdisciplinary artist and general practitioner of performance based in New York City. He ventures into acting, dancing, installation, administration, sound art, dramaturgy and other lovely things with a bit of wonder that he has found his way to such wonderful people and places. Phillip holds the position of Sponsored Artist Program Associate at The Field, is currently a MFA candidate at PIMA Brooklyn College, and holds a degree in Performance Theatre from the University of South Florida.

James Roberts is a New York based actor-singer-dancer. Previous credits include productions of: Yearbook, Once on This Island, Damn Yankees, Baby, and Mother Courage. James would like to thank his friends and family for their boundless support.

Rachel Pearl is an actor/singer/writer originally from Issaquah, Washington, and is happy to be joining ETG again for this new endeavor. She holds a BFA in Theatre Arts from Hofstra University. She previously appeared in A Pale Horse . . .  and Big Talk with ETG. Other credits include: The Winter’s Tale (Paulina), Into the Woods (Baker’s Wife), Equus (Dora Strang) The Fantasticks (Louisa).

Clint Headley is an actor and dancer from New York City by way of Trinidad & Tobago. He’s credited in many short films and music videos, and has done some stage as well. He loves acting and hopes one day to be a feature film director.

Nicki Miller is an actor/dancer/aerialist with a Bachelor’s degree in Drama from Syracuse University. Currently she is an aerial performer and teacher at The House of Yes in Brooklyn and is doing aerial silk choreography for the Deconstructive Theatre Project’s upcoming show, The Orpheus Variations at Theatre for A New City in September.  The big project for the upcoming year is a collaboration with actor/aerialist Sarah Bowles on developing a site-specific production of Shakespeare’s Twelfth Night with aerial and live music in the engine room of a boat! More info at nickimiller.wordpress.com!

Laura Sundh is a graduate from the University of Iowa with a BA in Dance and Psychology.  She moved to New York after a year spent in Minneapolis on scholarship with Zenon Dance Company.  Laura has worked with choreographers such as David Dorfman, Charlotte Adams, Armando Duarte/Duarte Dance Works Contemporary Dance Company, and Alan Sener, among others.  She is honored to be part of such a talented group of people, and looks forward to things to come.

TJ Jamez is a professional dancer and fashion designer. He is one of the co-founders of Fire Cry, a dance crew that grew into a movement for talented artists of music and fashion. He has been working most recently updating his clothing line for Fire Cry but has been in several music videos, and can be seen this month in the upcoming film Step Up 3D.

Dan Whalen is a social worker and performer from Grand Rapids, MI.  While persuing a political science degree from Ohio Wesleyan University, he appeared in productions including Noises Off!; Henry IV, Part I; Stop Kiss; The Madwoman of Chaillot; and The Photographer, while also giving writing and directing a shot.  Productions in his native Michigan included Les Miserables; 42nd Street; and Prokofiev’s Romeo & Juliet.  While working on the piece What Is Wild as part of the Ontological Hysteric Incubator’s Short Form series he had the opportunity to meet the members of Everywhere Theatre Group, which led to an appearance in last year’s ETG production of A Pale Horse… and the rest, as they say, is history.  A big Thank You! to the cast and crew and everyone who made this show possible – and that includes you, Mom and Dad.  Enjoy the show, and I love you.

Benjamin Myer: Please visit my bio: http://www.youtube.com/watch?v=UUNUAgg1tqw

CREATIVE TEAM AND CREW

Lindsay Mack (Creative Director, Co-stage Director, Choreographer, Costumes/Props) is a Brooklyn based performer; she is the resident choreographer/costumer for ETG, as well as being a company member performer. Credits with ETG include: Big Girls Club: Happy Dance Dance Princess Show! at The Brick (video segment); A Pale Horse…Culmination for Ontological-Hysteric’s Incubator Short Form Series, The Formula Play at HERE Arts Center, and A Pale Horse… at Ontological-Hysteric Theater. Outside of ETG, she has performed at the Public Theater, Snapple Theater Center, and most recently played Abigail Williams in The Crucible at Gallery Players, and Antigone in Anouilh’s Antigone at Brecht Forum. LindsayAnnMack.com.

Chase Voorhees (Videographer, Sound Designer, Creative Consultant) is a Brooklyn based artist. He gets paid to be an online editor at DuArt in Manhattan. He is also a founding member of ETG, having worked on all previous productions, with titles varying from co-director to videographer to sound op, and so on. Beyond the skills listed here, he is adept at taking photographs, and teaching himself instruments. The cello is next. ChaseVoorhees.com.

Leah Winkler ( writer, text director and stage co-director) is a  writer/director from Kamakura, Japan and Lexington, Kentucky and a founding member of ETG. She has directed her plays at OHT, Brick Theater, HERE Arts Center, Indianapolis New Art Theatre and her  short plays have been seen at the Cultural Development Corporation’s Source Festival, Workingman’s Clothes Productions’ Binge Fest and Butler University. Leah has worked with A4, Young Jean Lee’s Theater Company and writes essays for Discover Nikkei. She is also a 2010 member of Terra Nova Theater Collective’s Groundbreakers Playwright’s Group for her play, Death for Sydney Black. Love and thanks to everyone!!!! www.leahwinkler.org

Teddy Nicholas ( lighting designer, song writer for “song”) is a designer, playwright and director from in Queens, NY. He was a Dixon Place HOT! Festival Artist from ‘07-‘08 where he wrote and performed a solo piece, STDs – Socially Transmitted Dissociation, and wrote and directed UNTITLED. He performed in 365 Days/365 Plays at HERE Arts Center and The Public Theater under the direction of Lenora Champagne. He directed the Wadsworth award-winning production of Christopher Shinn’s Four at Purchase College, where he earned a B.A. Drama Studies. He directed Big Girls Club (Workingman’s Clothes BINGE Festival at Wings Theater). Teddy co-wrote/directed with Leah Winkler A Pale Horse, Death & Hell Followed With (A Lifetime Original Series), a show developed from the Ontological-Hysteric Theater’s Incubator Short Form series. He recently  directed  Lonely Christopher’s Pages from a Course in General Linguistics (REPUBLIC Worldwide’s The Way of the Word.  Teddy has stage managed and toured internationally with Young Jean Lee’s Theater Company with The Shipment (Brooklyn Arts Exchange, NY; Wexner Center for the Arts, OH; The Kitchen, NY; Kunstenfestival des Arts, BE) and assisted stage managed CHURCH (Under The Radar Festival 08 at The Public Theater). He also stage managed Thomas Bradshaw’s Southern Promises (PS122), Eliza Bent’s She of the Voice (Undergroundero Festival at PS122), Tommy Smith’s The Break-Up & Ken Urban’s The Happy Sad (The Flea Theater), Taylor Mac’s OKAY and Anne Washburn’s October/November (Ensemble Studio Theatre). He is a founding member of Everywhere Theatre Group.

Blair Hotchner (Stage Manager) received a BA in Dance and Psychology from Hofstra University (2010). She stage managed the Hofstra Masquerade’s production of Amused (Fall 2008). She had the honor of Stage Managing Hofstra Dance Department’s 25th anniversary Concert (Fall 2009). She was the assistant choreographer for Overground dance theater latest piece Urban Tao (2010). She loved the experience she has had working with ETG.

Allison M. Malinowski (Production Stage Manager) – Allison received her B.A. in Drama Studies from SUNY Purchase, and involved herself in over fifteen productions there as either production stage manager, light/sound technician, or actress.  She was also chosen as the first Technical Directing intern for the Humanities Theatre.  Allison has interned with the Walt Disney World® Resort on four occasions, and has worked with the The Jackson Repertory Theatre as a production stage manager.  She has interned as a technician at Dixon Place, and is a part-time Technical Director for the Merce Cunningham Dance Studio.

Scenic Design: Robert Bursztyn ( bio coming soon)

CLICK HERE TO BUY TICKETS

The Internet

August 12—21

Wednesday—Sunday at 8p.m.

Additional 10p.m. Saturday performances 8/14 and 8/21.

Everywhere Theatre Group attempts to stage the World Wide Web in The Internet. Fusing dance, movement, video, music, original and found texts, ETG examines what lies beneath the cool, sleek surface of the information super highway. By asking what propels people into the shadowy underworld of the Web, where one desires to objectify bodies and see people fail, ETG aims to find the root of human connection at its newest form.

Everywhere Theatre Group is Leah Winkler, Chase Voorhees, Teddy Nicholas and Lindsay Mack. Since 2008, they have produced plays at Dixon Place (Untitled- A Play), The Ontological- Hysteric Incubator (Sintesi Dogpile Show, A Pale Horse, Death and Hell Followed With…), Wings Theater (Big Girls Club), The Brick Theater (Happy Dance Dance Princess Show!), HERE Arts Center  (The Formula Play) and Bar on A (Way of the Word in collaboration with Republic Worldwide). They were 2008/2009 Resident Artists with the Ontological-Hysteric Incubator Short Form Series for the development of A Pale Horse, Death & Hell Followed With (A Lifetime Original Series), which received its world premiere in December 2009.

Formerly a project of the Ontological-Hysteric Theater, the Incubator Arts Project supports independent, experimental performing artists through a series of programs aimed at offering production opportunities and guidance with long-term growth and artistic sustainability. (More info at the end of this announcement.)

Ticketing info: General $18/Student $14

Purchase in advance at incubatorarts.org or
by calling TheaterMania at 212-352-3101.

Cash only at the door.

Incubator Arts Project (inside St. Mark’s Church) • 131 East 10^th Street (at 2^nd Ave.)

L to First or Third Ave; R, W to Broadway/8^th St.; 6 to Astor Place; N,Q, 4, 5 to Union Sq.

About Incubator Arts Project

The Incubator Arts Project supports independent, experimental performing artists through a series of programs aimed at offering production opportunities and guidance with long-term growth and artistic sustainability. Its programs primarily support world premieres of original work and also include a concert series, work in progress opportunities and artist salons and roundtables.

The Incubator Arts Project grew out of the Incubator, a project of the Ontological-Hysteric Theater. In 2010, the Ontological-Hysteric Theater announced that it would leave its permanent home, St. Mark’s Church, and that the Incubator would take over the space and operate year-round.

Beginning in 1993, the Ontological-Hysteric Theater, in addition to its primary support of the work of Richard Foreman, opened its doors to emerging, independent artists. Since 1993 the emerging artists program at the Ontological took many forms, including the Obie-winning Blueprint Series for emerging directors. In 2005, the OHT reorganized the programs under the name INCUBATOR, creating a series of linked programs to provide young theater artists with resources and support to develop process-oriented, original theatrical productions. By 2010, the program had quadrupled in size, involving a range of artists and increased support. The programs included the centerpiece Residency program for premieres, two annual music festivals, a regular concert series, a serial work-in-progress program called Short Form, and roundtables and salons aimed at keeping Incubator artists involved year-round. In May, 2010, the Incubator received an OBIE grant.