The earth is under attack after CIA enlisted  doctor scientists Inis Goodheart and Frank Sheckles accidentally mutate King Cobras with the SSS116, a strength-inducing  chemical compound originally intended for American soldiers who defeat terrorists.  Little did they know that the SSS116 would give these snakes to fly and fight beyond their wildest dreams. As violent chaos ensues, government officials send Four Universally Combative Killers ( a.k.a THE FUCKERS) to the rescue.  Packed with extremely cheap special effects and surprisingly stunning video design, this tongue-in-cheek science fiction parody aims to wildly entertain while examining the why we do theater. 

FLYING SNAKES IN 3-D: Teaser Trailer from Everywhere Theatre Group on Vimeo.

Showing at Ars Nova, Nov. 16th 2011 at 8pm 

FLYING SNAKES IN 3-Dcollaboratively created by Everywhere Theatre Group


Text by Leah Winkler and Teddy Nicholas*
Text Direction by Leah Winkler
Co-Directed by Lindsay Mack
Video / Sound Design by Chase Voorhees
Choreography by Lindsay Mack
Costumes by Sarah Snider and Lindsay Mack
*until Teddy Nicholas left the project and then Leah took it over and then they got into a fight about credit


Frank Sheckles - Cory Hibbs
Inis Goodheart/Lindsay - Lindsay Mack
Rosa Gomez - Jen Taher
Dallas Archer - Ray Campbell
Roxy - Sara Gonzalo
Jaylen - Cara Francis
Leah - Jen Kwok
Teddy - Julian Mesri
Chase - Chase Voorhees
Gina - Rachel Radenberg
Dave - David Weinheimer
Queen Cobra/Snake Ensemble - Rachel Lin
Mongoose/Snake Ensemble - Maia Lorian
Sandra/Snake Ensemble - Heather Rogers
Horse/Snake Ensemble - Chris Tyler

Frank Sheckles - Cory Hibbs
Inis Goodheart/Lindsay - Lindsay Mack
Rosa Gomez - Jen Taher
Dallas Archer - Ray Campbell
Roxy - Sara Gonzalo
Jaylen - Cara Francis
Leah - Jen Kwok
Teddy - Julian Mesri
Chase - Chase Voorhees
Gina - Rachel Radenberg
Dave - David Weinheimer
Queen Cobra/Snake Ensemble - Rachel Lin
Mongoose/Snake Ensemble - Maia Lorian
Sandra/Snake Ensemble - Heather Rogers
Horse/Snake Ensemble - Chris Tyler

Cara Francis (Jaylen) is a writer, director, performer and ensemble-member of the New York Neo-Futurists, writing for and performing in Too Much Light Makes The Baby Go Blind, The Soup Show, un)afraid, and The Complete and Condensed Stage Directions of Eugene O’Neill, Volume One: Early Plays, Lost Plays. Cara has performed and had her work produced at The Old Vic, The Public, HERE, The Flea, The Bushwick Starr, Galapagos Art Space and The Bowery Poetry Club and was a Spring 2009 Short Form Artist in Residency at the Ontological-Hysteric. She has worked with Temporary Distortion, has presented solo work in conjunction with The Human Company and terraNOVA Collective, and has very good secrets.

ETG will be teaching:

THEATRE

Period 2 – 3:00: COLLABORATIVE WRITING
Period 3 – 4:00: IMPROV

to sign up go to: Space on White

“Dead People”
written/directed by Leah Winkler

part of LITTLE THEATER
May 9th 2011 at Dixon Place @ 7:30p

Video Credits
camera/editing/sound: Chase Voorhees
GIRL/voiceover: Lindsay Mack
text: Leah Winkler

CLICK HERE TO BUY TICKETS

The Internet

August 12—21

Wednesday—Sunday at 8p.m.

Additional 10p.m. Saturday performances 8/14 and 8/21.

Everywhere Theatre Group attempts to stage the World Wide Web in The Internet. Fusing dance, movement, video, music, original and found texts, ETG examines what lies beneath the cool, sleek surface of the information super highway. By asking what propels people into the shadowy underworld of the Web, where one desires to objectify bodies and see people fail, ETG aims to find the root of human connection at its newest form.

Everywhere Theatre Group is Leah Winkler, Chase Voorhees, Teddy Nicholas and Lindsay Mack. Since 2008, they have produced plays at Dixon Place (Untitled- A Play), The Ontological- Hysteric Incubator (Sintesi Dogpile Show, A Pale Horse, Death and Hell Followed With…), Wings Theater (Big Girls Club), The Brick Theater (Happy Dance Dance Princess Show!), HERE Arts Center  (The Formula Play) and Bar on A (Way of the Word in collaboration with Republic Worldwide). They were 2008/2009 Resident Artists with the Ontological-Hysteric Incubator Short Form Series for the development of A Pale Horse, Death & Hell Followed With (A Lifetime Original Series), which received its world premiere in December 2009.

Formerly a project of the Ontological-Hysteric Theater, the Incubator Arts Project supports independent, experimental performing artists through a series of programs aimed at offering production opportunities and guidance with long-term growth and artistic sustainability. (More info at the end of this announcement.)

Ticketing info: General $18/Student $14

Purchase in advance at incubatorarts.org or
by calling TheaterMania at 212-352-3101.

Cash only at the door.

Incubator Arts Project (inside St. Mark’s Church) • 131 East 10^th Street (at 2^nd Ave.)

L to First or Third Ave; R, W to Broadway/8^th St.; 6 to Astor Place; N,Q, 4, 5 to Union Sq.

About Incubator Arts Project

The Incubator Arts Project supports independent, experimental performing artists through a series of programs aimed at offering production opportunities and guidance with long-term growth and artistic sustainability. Its programs primarily support world premieres of original work and also include a concert series, work in progress opportunities and artist salons and roundtables.

The Incubator Arts Project grew out of the Incubator, a project of the Ontological-Hysteric Theater. In 2010, the Ontological-Hysteric Theater announced that it would leave its permanent home, St. Mark’s Church, and that the Incubator would take over the space and operate year-round.

Beginning in 1993, the Ontological-Hysteric Theater, in addition to its primary support of the work of Richard Foreman, opened its doors to emerging, independent artists. Since 1993 the emerging artists program at the Ontological took many forms, including the Obie-winning Blueprint Series for emerging directors. In 2005, the OHT reorganized the programs under the name INCUBATOR, creating a series of linked programs to provide young theater artists with resources and support to develop process-oriented, original theatrical productions. By 2010, the program had quadrupled in size, involving a range of artists and increased support. The programs included the centerpiece Residency program for premieres, two annual music festivals, a regular concert series, a serial work-in-progress program called Short Form, and roundtables and salons aimed at keeping Incubator artists involved year-round. In May, 2010, the Incubator received an OBIE grant.

This is a video test representation of what the style of the projections will be for the show. Music remixed and video edited by Chase Voorhees. Enjoy!