We work with a rotating group of designers and performers.

Company Members Are:

Leah Winkler: Development Director ( Leah@everywheretheatre.org)

Chase Voorhees: Administrative Director ( Chase@everywheretheatre.org)

Teddy Nicholas: Programming Director ( Teddy@everywheretheatre.org)

Lindsay Mack: Social Media Director ( Lindsay@everywheretheatre.org)

Leah Winkler is a writer/director from Kamakura, Japan and Lexington, Kentucky. In addition to working with ETG- she is the A/P/A commissioned writer for the Japanese American National Museum’s Discover Nikkei project. She has directed her plays at the Ontological Hysteric Theater ( Pale Horse…6Speed-cowriter), The Brick Theater (Big Girls Club- Happy Dance Dance Princess Show), HERE Arts Center (The Formula Play) and the Indianapolis New Art Theatre( Everywhere). Her short plays have been seen at h Cultural Development Corporation’s Source Festival (little girls- dir Scott Fortier) , Workingman’s Clothes Productions’(BGC-Dir.Teddy Nicholas). She has also worked with the Asian American Arts Alliance and Young Jean Lee’s Theater Company. For more information visit www.leahwinkler.org

To contact Leah: leah@everywheretheatre.org

Chase Voorhees is a Brooklyn based writer/director/photographer/videographer/editor/composer/designer/jack of all trades who is originally from Logansport, Indiana. He is a founding member and co-artistic director for Everywhere Theater Group. He has served many roles in all of ETG’s productions, such as co-director, sound designer, videographer, and promotional designer. ETG credits include: “A Pale Horse, Death Hell…” at Ontological-Hysteric, “Big Girls Club: The Formula Play” at HERE Arts Center, “A Pale Horse, Death, Hell…(Office, Love, Horror, Faith) at ShortForm’s Ontological-Hysteric, “Big Girls Club (Happy Happy Dance Dance Princess Show!) at The Brick Theatre, “Big Girls Club” at the Working Man’s Theatre, and has also presented work at Dixon Place, and with Ontological’s Sintesi Dogpile. Chase currently works at DuArt Film & Video, and wears many hats, including editor, restorationist, audio technician, the list goes on. He currently serves as online editor and opening sequence editor for “Pokémon” and has worked with such clients as The Guggenheim Museum, Wolfgang’s Vault (wolfgangsvault.com), Pokémon, Fred Armisen, and various bands. Chase is also a musician and records his own music – many of his songs, as well as photographs, videos, and reels can be found on his website, chasevoorhees.com.

Teddy Nicholas is a playwright and director from in Queens, NY. He was a Dixon Place HOT! Festival Artist from ‘07-‘08 where he wrote and performed a solo piece, STDs – Socially Transmitted Dissociation, and wrote and directed UNTITLED. He performed in 365 Days/365 Plays at HERE Arts Center and The Public Theater under the direction of Lenora Champagne. He directed the Wadsworth award-winning production of Christopher Shinn’s Four at Purchase College, where he earned a B.A. Drama Studies. He directed Big Girls Club (Workingman’s Clothes BINGE Festival at Wings Theater). Teddy co-wrote/directed with Leah Winkler A Pale Horse, Death & Hell Followed With (A Lifetime Original Series), a show developed from the Ontological-Hysteric Theater’s Incubator Short Form series. He recently  directed  Lonely Christopher’s Pages from a Course in General Linguistics (REPUBLIC Worldwide’s The Way of the Word.  Teddy has stage managed and toured internationally with Young Jean Lee’s Theater Company with The Shipment (Brooklyn Arts Exchange, NY; Wexner Center for the Arts, OH; The Kitchen, NY; Kunstenfestival des Arts, BE) and assisted stage managed CHURCH (Under The Radar Festival 08 at The Public Theater). He also stage managed Thomas Bradshaw’s Southern Promises (PS122), Eliza Bent’s She of the Voice (Undergroundero Festival at PS122), Tommy Smith’s The Break-Up & Ken Urban’s The Happy Sad (The Flea Theater), Taylor Mac’s OKAY and Anne Washburn’s October/November (Ensemble Studio Theatre). He is a founding member of Everywhere Theatre Group.

Lindsay Mack is an actor/singer/dancer who originally hails from New Jersey. She got her BFA in Theatre Arts from Hofstra University, and trained at The School for Film and Television for two semesters. Her credits with ETG include “A Pale Horse, Death, Hell…” at the Ontological-Hysteric Theatre, “Big Girls Club: The Formula Play” at HERE Arts Center, “A Pale Horse, Death, Hell…” Culmination piece at ShortForm @ Ontological-Hysteric, and played a glamorous ex-bulimic game show contestant with tooth decay in the video segment portion of “Big Girls Club (Happy Happy Dance Dance Princess Show” at The Brick Theatre. She has costume designed and choreographed for both “The Formula Play” and the more recent “Pale Horse”. Aside from ETG, her theatre credits include “The Fake Madwoman” (Snapple Theater Center, Off Broadway credit); “Class Project” (reading) at The Public Theater; “Into The Woods” (Cinderella – CNR Drama, NY), “The Good Woman of Setzuan” (Shen Teh/Shui Ta), “Hamlet” (Osric/Lucianus), and has been a featured soloist at The Duplex. She recently had a featured background role on Fox’s “Lie to Me” as “Angry Face Girl in Photo. Lindsay is a trained dancer, and has taken ballet, modern, jazz, tap, choreography, and lyrical. Her movement background also consists of training in Commedia dell’arte, Mime, Clowning, and physical theatre. She is also a trained singer, and has been for a long time. Her other skills include being SAFD certified in Unarmed Fight Choreography, Stage Makeup, Maskwork, Harmonisation, and dialects/impersonations/characterization, etc. She currently resides in Brooklyn.